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The Modern Masonic Apron

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Came across this the other day and thought you might also find it interesting.


The Union of the Grand Lodge of England between the Ancient and Modern branches of English Freemasonry in 1813 brought into many effect many changes in dress and ritual which still prevail to this day. In respect to the Masonic apron it was felt necessary to have these standardised and the resulting effort are the aprons we have in use today. Nevertheless, even though we may assume that today’s aprons are but a shadow in respect to the decorative beauty of 18th century aprons they still contain much Masonic symbolism and inner meaning.

The Masonic apron referred to is strictly that as worn by Masons of the English Constitution.  Many Brethren still believe that the present apron was the result of an accident and that no deliberate attempt at symbolism was envisaged. However, you will see that those who designed it had a much deeper knowledge of symbolism than the apparently ‘simple’ Master Mason apron leads us to believe.

Firstly, let us consider the colour of the Master Mason’s apron, which is that of Cambridge University, and likewise that used by Parliament when fighting King Charles, has a much deeper significance than is generally known. It is closely related to the colour of the Virgin Mary, which in itself has been brought forward from Isis, Astarte and other Mother Goddesses of the ancient world, whose symbol was always the moon and seven stars. You may have noticed that many statues of the Virgin Mary show her wearing a diadem or crown of seven stars on her head and her cloak is light blue, the colour of our Masonic apron.

In contrast, the aprons of Grand Lodge Officers have Garter Blue, often connected with certain Orders of Knighthood, but also this blue is the colour of Oxford University, and the colour associated with the Royalist cause during the Civil War

Thus the two aprons in use amongst Brethren of the English craft employ the colours of the two great Universities of England. The dark blue colour therefore can be said to represent the rulers in the Craft, and represent the masculine element. Light blue, on the other hand, represents the feminine or passive aspect, and is most appropriate for the ordinary Master Mason, whose duty it is to obey and not to command.

The other significant emblems representative of the female aspect are the three rosettes, symbol of the rose itself, itself a well known substitute for the Virgin Mary herself as the Mystic Rose. The three rosettes on a Master Mason’s apron are arranged so as to form a triangle with the point upwards, interpenetrating the triangle formed by the flap on the apron, alluding to the square and compass.


The two rosettes on a Fellow Crafts apron stress the dual nature of man and have a clear reference to the two Pillars. The two rosettes also point out that the Fellow Craft has not yet a complete Freemason as it requires a third rosette to form a triangle. The Fellow Craft’s apron thus represents the wearer’s status as being superior to an Entered Apprentice but inferior to that which in due time he will attain and which the third rosette will invariably complete in the form of the interlaced square and compass.

As the Master Mason advances and becomes Master of his Lodge, the rosettes of his apron give way to three Taus or levels as they are generally called. The Tau is the symbol of the Creator and also the symbol of the Royal Arch to which all Masters had to be exalted to that supreme degree before he could accept the Chair in a Craft lodge.

Another important feature of the apron was the tassels which originally represented the ends of the string used to tie the apron round the waist. It was only a matter of time before these strings were decorated with tassels and even today certain aprons, such as those worn by members of the Royal Order of Scotland use this type of string with ornamental tassels which when properly tied together at the front cause the two tassels to stick out from under the flap.

Craft aprons have now replaced the string or cord with a band attached to a hook and eye and so tassels have been replaced by two strips of ribbon on which are attached seven chains. The seven chains themselves are full of symbolic meaning and represent various Masonic allegories such as the 7 liberal Arts and Sciences, the number of Masons required to make a perfect lodge, the number of years it took king Solomon to build the temple, etc. The two ribbons and chains are also representative of the old pillars that used to adorn the apron before these were replaced with the existing form.

Finally we arrive at the band with the hook and eye attachment that is also full of symbolic significance. It is no accident that the snake was selected for this purpose. The snake is the traditional symbol associated with wisdom. Thus the serpent in our apron denotes that we are encircled by Holy wisdom. You will also notice that the serpent is biting its own tail, thus forming a circle which has always been regarded as the emblem of eternity, and more especially the Eternal Wisdom of God.

As you can see Brethren the apron is not just a piece of regalia we wear simply to distinguish the different grades of Freemasons or even for cosmetic effect and pomp. It is a vital part of our ritual and why any Mason in a lodge who is not wearing his Masonic apron is considered quite rightly to be improperly dressed. Thus it will be seen that our apron is a very honourable garment, one that we should treasure. It is an apron made of lambskin, pure white, without fault or stain - the colour of the Soul as mortal man sees it. It is ours and it now depends upon each of us to keep it without blemish - to keep it as a mirror of our soul that we may stand the final test when we reach into Life Eternal.


by W Bro Keith Sheriff

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4 hours ago, Sontaran said:

Ironically, Cambridge Blue is not actually the light blue of the apron. Cambridge Blue is actually a blue-green colour.

Yes, different colour entirely. 

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Yup - you've no idea of the hassle I had getting the yearbook to be the correct colour - even though there is a Pantone number for Cambridge Blue.

Nice story though.

Edited by Sontaran
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